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Bette Davis plays a self-involved southern belle whose neurotic attempts to mold her fiance (Henry Fonda) to her own designs eventually bring about her tragic downfall. Co-stars George Brent and Fay Bainter. Year: 1938 Director: William Wyler Starring: Bette Davis, Henry Fonda, George Brent
Bette Davis won her second Best Actress Oscar for her showcase role in this sumptuous southern costume melodrama, which was released in 1938 in response to the phenomenal popularity of Margaret Mitchell's novel Gone with the Wind. (It would take another full year for the famous film adaptation of Mitchell's novel to be released.) The setting is New Orleans in 1862, and Davis plays Julie, an egocentric southern belle who's used to getting her way. Henry Fonda plays the equally selfish banker who breaks off their engagement, prompting Julie to a variety of futile schemes to win him back. Gracefully directed by William Wyler, the film won Oscars for Davis and Fay Bainter (for Best Supporting Actress), and was nominated for Best Picture, Music Score, and Cinematography. Highlights include the lavish ball scene where unmarried ladies dressed in traditional white are horrified by Julie's scandalous red dress, and Fonda's subsequent pleasure upon witnessing Julie's humiliation. An absorbing period melodrama, this film was ultimately overshadowed by Gone with the Wind, but it remains a classic in its own right thanks to Wyler and his remarkable cast. --Jeff Shannon
Bette Davis didn't get to play Scarlett O'Hara in Gone with the Wind, but she did get to play a troublesome Southern belle in William Wyler's 1938 Jezebel. Davis's character, a coquette fond of stirring up rivalries among the men, goes too far and loses her fiancé (Henry Fonda), but she finds atonement when she cares for him during illness. This handsome melodrama by Wyler (who later directed Davis in The Little Foxes) is fully absorbing (John Huston contributed to the script), and Davis's carefully constructed performance does make one draw instant comparisons with Vivien Leigh in Gone with the Wind. --Tom Keogh
the woman in redReviewed by Peter Andronas, 2009-12-19
Bette Davis plays a strong-willed woman who loses the love of her
life to another woman in a complex portrayal. Unlike Bette Davis'
character the other woman is willing to follow tradition and
succumb to social graces and responsibility. In the end, it
celebrates the independence and strength of a woman, in spite of
her doom and there's never a rushed moment in the film or a
grand-scale spectacle of emotions. There are so many beautifully
realized scenes of sincere regret but also of the will to carry
on.
A beautiful video transfer.
Unexpectedly delightfulReviewed by R. Swanson, 2009-11-19
This is another gem that I pulled from the shelves of the public
library. I'd never heard of it and didn't expect much, especially
with the melodramatic title of Jezebel!
So I was happilly surprised at how good it was. The star is of
course, Bette Davis, looking far more beautiful than I had ever
seen her to be elsewhere. It's said that she fell in love with the
director, William Wyler, during the shooting and that may explain
her radiance, joyfulness and even moments of gentleness--qualities
that seem to be lacking in most of her roles.
The story is a bit lackluster but the production certainly makes up
for it. The costumes, sets and music are all first rate. Wyler is
known to bring out good performances from his actors and here it is
certainly true. Besides Davis' Oscar winning performance, Fay
Bainter excells as Davis' aunt and she, too, won an Oscar. Henry
Fonda is good as the traditional but forward thinking banker. Only
George Brent lacks something as the scoundral.
I was disappointed at the ending which seemed horribly abrupt after
a long build-up. I had grown to care about the characters and
really wanted to know what happened next.
One of Bette's BestReviewed by Terrence L. Sellers, 2009-10-07
If you ever want to make someone understand why Bette Davis was the
star she was, you have only to plop them down and have them watch
this! As Julie Marsden, a headstrong,willful Southern Belle (is
there any other kind?LOL)she upsets convention,indeed flouts it,in
her way of doing things in her sphere,1852 New Orleans,where women
had a place and,for the most part.stayed there. No so,Julie! From
her entrance (a STAR entrance is there ever was one)Bette makes it
clear and indelible,just who her character is and what drives her.
She's always watchable and that holds true here.
The transfer of this dvd sparkles and Davis never looked better.
The special featuresJezebel (Restored and Remastered Edition)s are
great and informative as well.
SEE IT!
"I'll love her most when she's meanest, because I know that's when
she's lovin' most"Reviewed by Matthew G. Sherwin, 2009-06-02
Jezebel is one of Bette Davis' best known films--and for a good
reason! Davis turns out an incredible performance as Julie Marsden,
a haughty, stubborn, selfish and rather spoiled young woman from a
wealthy Southern family who takes her fiancé for granted and
enjoys manipulating people. Indeed, Bette Davis acted so well that
she won a Best Actress Oscar for this performance. While in some
ways the film is a vehicle for Davis, we also get great acting from
a very special cast. Henry Fonda plays Preston Dillard, Julie's
love interest, flawlessly and George Brent does a superb job of
playing Buck Cantrell, a man about town who is also a friend of the
Dillard family and Julie's family. Look also for a wonderful
performance by Fay Bainter who plays Julie's Aunt Belle; she won an
Oscar for Best Actress in a Supporting Role. The cinematography is
excellent and of course the choreography shines particularly bright
in the ballroom scene when Julie and Preston Dillard are
dancing.
When the movie starts, we meet several principle characters.
There's Julie, who thinks nothing of convention or being polite
just so long as she gets her own way. Julie bursts in very late on
a party in her honor in their New Orleans home wearing horseback
riding clothes when all the other ladies are appropriately dressed
for an evening party. Julie also makes a royal mess of things when
she insists that her fiancé Preston Dillard accompany her to the
Olympus Ball--where she deliberately offends people, bucking
tradition and convention, by wearing a bright red dress instead of
a white dress which is essentially the dress code for ladies at the
ball. Eventually, Preston becomes so infuriated that he calls off
his engagement to Julie; and Julie is crushed.
At the same time, we also meet the men of the old South who lived
lives steeped in "death before dishonor." Insults were often
resolved by duels and men had to "defend" their women who were
perceived as "fragile." There are also the slaves who work for the
Marsden family: we meet "Uncle Cato" (Lew Payton) and Theresa
Harris does justice to the role of Zette. There's even a scene or
two with Bette Davis and Eddie "Rochester" Anderson; Eddie plays a
slave who goes by "Gros Bat."
The plot thickens when several things occur. After a year up North,
Preston returns to New Orleans--with his new wife, Amy (Margaret
Lindsay). Needless to say, this irks Julie to no end. There are
dinnertime quarrels over abolitionism; and widespread panic ensues
when the usually fatal yellow fever grips the city.
Of course, things can still go anywhere from here. Will Julie be
able to force Preston to choose yet again between herself and Amy?
What happens when Buck Cantrell and Ted Dillard (Richard Cromwell),
two good friends, have an intense fight that is egged on by Julie?
Will anyone of them catch yellow fever; and what might happen after
that? No plot spoilers here, folks--watch and find out!
The DVD comes with the original theatrical trailer and a few other
extras. How I wish there was a commentary or interview footage with
some of the cast! However, the movie is so special that I can
almost ignore this disappointment.
Jezebel remains one of the best films of the entire twentieth
century; this is a "must-have" DVD for Bette Davis fans everywhere.
Of course, people who love classic movies in general will also want
to add this to their collections.
love old moviesReviewed by Ellen D. Perreault, 2009-05-04
I love all old movies, I have been teaching school for the last 39
years, I am the oldest of my school but the youngest in spirit,
energy
My favorite moments are the time spent watching all my old
movies.
I am trying to get as many as I can, I do have quite a collection,
of new old, drama, comedies, musicals, westerns, etc
There are still some movies that I can't get yet because they
haven't been realised yet. But I am still hoping. Exanple The Blue
Veil with Jane Wyman a 1951 movie.
A Certain Smile, with Joan Fontaine, ( in this movie Johnny Mattis
sings a Certain Smile. I could mention so many that I would like to
have.
Thanks Ellen Doucet Perreault